Heavy is the head that does not like The Crown

Black Panther, Love is Blind, and a man gently playing with kittens

View this email online by Linda Holmes Welcome! It was the week when a Good Fight came to an end. It was the week when Drake got on the wrong side of Vogue. And it was the week when someone who seemed like he must have already been People's Sexist Man Alive in some year or another became People's Sexiest Man Alive. Let's get to it. Opening Argument: Heavy is the head that does not like The Crown It's easy to understand how the timing of a fifth season of The Crown that skewered, mocked or reveled in the scandals of the British royals could be awkward only a couple of months after Queen Elizabeth II died and her son became King Charles III. It's easy to understand how it could lead to consternation and complaining.  But that's not the version of The Crown that we have. Keith Bernstein/Netflix The Crown has always sparked some complaints over the fact that it's not literally accurate in its details -- in fact, creator Peter Morgan has always acknowledged that it's an imagined version of what would go on behind the scenes. But with the fifth season, there were renewed condemnations and a call from no less than Dame Judi Dench for Netflix to add a disclaimer to each episode stating that it's fiction. (Netflix has not done this.) In particular, former Prime Minister John Major objected to a scene in the first episode of the season in which Charles, now played by Dominic West, comes to Major, played by Jonny Lee Miller, to talk about something sensitive. What he wants to talk about is the idea that his mother has been queen for long enough, and perhaps it's time to think about change in the interests of the country. In other words, he wants Major to explore the possibility of nudging her to step down so that Charles can become king. (Keep in mind, this would have happened somewhere around 1991, so he was to wait another 30 years to become king. If he had been trying to speed things up, it didn't work.) Major says this meeting never happened, never would have happened or could have happened, and to invent it is "malicious."  Netflix Obviously, given that Charles eventually became king when his mother died, it's awkward to suggest that he was impatient. But his eagerness is framed, at least in part, as an element of a larger interest in modernizing the monarchy and a concern that by the time he became king, the institution might be damaged.  Regardless of this individual scene, the overall tone of The Crown has always been sympathetic especially to Elizabeth and Prince Philip, whose romance anchored its first season, but in fact to the entire family. They are consistently portrayed as people whose lives are devoted to duty in a way that is largely outside their control, and the close focus on their emotions and motivations takes the attention away from the institutional questions like cost and colonialism that aren't necessarily about whether people are nice or in love with each other. The very act of seeing their feelings as the most important thing about these people flatters them.  Moreover, even as to the "scandals" that are covered in this season, including the breakdown of Charles and Diana's marriage, the portrayals are quite gentle. The love story of Charles and Camilla is given a warm and earnest glow of star-crossed frustration, and the invasion of their privacy when tapes of their phone calls are released prevails over any sense of sensationalism. Diana is not sanctified; she is shown to be loving toward her sons but sometimes petulant and unreasonable, foolish and short-sighted. Elizabeth Debicki's performance is very strong on these notes and in general, but the one place it might fall a little short is in carrying Diana's ability to at least appear warm in public. (In fairness, of course, this is the section of the story where everybody started to look a little bit bad.)   Keith Bernstein/Netflix Certainly, if you are a pure royalist who believes the right way to treat this family is as untouchable and divine, entitled to power without question, then The Crown will bother you. If you think of them as awful people living off the public, it's effectively a sales pitch that they're better than that and more deserving of public understanding. Morgan settles into a sort of "flawed decent humans like everyone else, born into circumstances not of their choosing" viewpoint. It's humanizing, for lack of a better term. And whether you think that's too little sympathy or too much depends mostly on what you're looking for from royalty -- and if you're looking for anything at all. Newsletter continues after sponsor message Listen to the Podcast Sponsor-Free Support your favorite pop culture junkies AND listen without sponsor interruptions with a subscription to Pop Culture Happy Hour+! Learn more and sign up at plus.npr.org/happy. Learn More We Recommend Steven Spielberg made his way to Fresh Air this week to talk about his new film, The Fabelmans.  Friend of the show Kumail Nanjiani has a video over at Buzzfeed where he is interviewed while playing with kittens, and the funniest thing about it is that he keeps lowering his voice so as not to bother the kittens, and if you need something soothing and calm after this week, I highly recommend it.  We're going to be talking about holiday movies on the show soon, so if you want to get a jump, Lindsay Lohan's Falling for Christmas is now available on Netflix. We're going to be talking about Yellowstone on the show as well, so when it premieres on Sunday, maybe you'll be catching up! (Remember: Airs on Paramount Network, streams on Peacock.) What We Did This Week Marvel Studios Did you hear the first episode of Screening Ourselves, the special documentary series hosted by our own Aisha Harris and produced by members of our team? The series is about controversies over representation, and the episode is about The Godfather and its reception by Italian Americans (and others). There will be another episode dropping Sunday in your PCHH feed, so stay tuned. I talked to Reanna Cruz and Jordan Morris about Weird: The Al Yankovic Story.  With the approach of the Black Panther franchise's return, we revisited our episode on Chadwick Boseman's essential performances. Glen, Ronald Young, Jr. and Shea Vassar spoke kindly of Andor, "the Star Wars series you've been waiting for." Stephen and Aisha talked to Jarrett Hill about Love Is Blind and its many … oddities. And of course, Glen talked to Ronald Young, Jr., Daisy Rosario and Joelle Monique about Black Panther: Wakanda Forever.  For All Things Considered, I talked about the controversy surrounding The Crown, which is really a very pro-royalty show, so why all the fuss?  What's Making Us Happy Every week on the show, we talk about some other things out in the world that have been giving us joy lately. Here they are: What's making Ronald Young, Jr. happy this week: The Carmichael Show What's making Daisy Rosario happy this week: The "Ultimate Field Trip" episode of the One Year podcast (and adopting a pet) What's making Joelle Monique happy: Stephanie Williams' work for Marvel Comics What's making Glen Weldon happy: The English Stream your local NPR station. Visit NPR.org to find your local station stream. Subscribe to Pop Culture Happy Hour+. Your support helps make our show possible and unlocks access to our sponsor-free episodes. What do you think of today's email? 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